The Bourse de Commerce is a new site in Paris where works from the Collection Pinault are displayed. Dedicated to contemporary art seen through the prism of the collection, it presents thematic displays and monographic exhibitions, as well as new productions, commissioned works, carte blanche events and in situ projects. Open to everyone and every artistic discipline, the Bourse de Commerce offers educational programmes, conferences and meetings, screenings, concerts and performances… Comfort, hospitality and accessibility are all central concerns in a space that maintains a serene dialogue with heritage, a modest relationship to the works, and a welcoming and non-authoritarian relationship with its visitors.
Model of the Bourse de Commerce showing the cylinder conceived by Tadao Ando and nestled within the atrium.
2 rue de Viarmes, 75001 Paris
Since 2006, François Pinault has developed his ambitious project along three main strategies. On the one hand, a network of museums located in Venice: Palazzo Grassi, to which an auditorium, the Teatrino, was added in 2013, and the Punta della Dogana, all designed and renovated by Tadao Ando. It has also organized a series of exhibitions in partnership with institutions in France and internationally, through which the works in the collection have been seen in new contexts, by audiences who may not have the opportunity to travel to Venice. And, finally, it has developed several initiatives whose goal is to encourage and support the creation of contemporary art and the study of art history, such as its artist-residency program in Lens or the annual Pierre Daix Prize.
With the addition of the Bourse de Commerce, in Paris, the Pinault Collection is committing itself to an ambitious new scale. It is adding to its network of permanent exhibition sites, while committing itself to preserving the individual identity of each. The Bourse de Commerce will occupy a central role in this original organization, collaborating closely with Palazzo Grassi, the Teatrino, and the Punta della Dogana.
At the Bourse de Commerce, we will present thematic hangings of works in the Pinault Collection, monographic exhibitions devoted to major artists, commissions, cartes blanches, and in-situ installations. A schedule of exhibitions of varying lengths will be organized such that visitors will have countless opportunities to discover diverse works throughout the year, as they return to the museum, and to attend cultural and educational programs in spaces specifically designed for that purpose.
As much space as possible will be used to welcome visitors and accommodate the audience’s needs; offices, storage spaces, and utility areas will be small or located off-site.
The Bourse de Commerce will include 3,000 square meters of modular exhibition space, divided into rooms from 100 to 600 square meters or used as a single whole, to welcome large-scale projects. The volumes, which can range in size from intimate to monumental, will be conceived and adapted such that they can most fittingly present works in various scales and different media, from photography to installations, and including painting, sculpture, and video.
Along with gallery space, the Bourse de Commerce will also feature an auditorium with 300 seats, an ideal setting for screenings, lectures, conferences, and concerts, along with a vast foyer and a black-box theater for video installations and experimental performances.
Every detail will be carefully thought out, paying close attention to pragmatically approaching the constraints that arise from adapting an historic monument to a new function, including modulating temperature and lighting (both natural and artificial) and outfitting the building to accommodate the transport and installation of works (with loading docks, access ramps, and freight elevators). We will combine our efforts to ensure that visitors encounter art in a context that is informative, agreeable, and enriching.
The overarching aim of this architectural and cultural project is to create the conditions for a thoughtful discussion with the works and the audience, with culture and history.
Martin Bethenod, directeur général délégué
François Pinault has channeled his passion for contemporary into assembling one of the most important collections in the world today: it now includes more than five thousand works from the twentieth and twenty-first centuries. His approach is fed by his commitment to sharing his passion for art with as broad an audience as possible, and to accompanying artists as they explore new territories. Since 2006, François Pinault
has oriented his cultural project along three axes: presenting ambitious exhibitions in Venice; lending works in his collection to museums across the world; and supporting and encouraging up-and-coming artists and art
His museums are housed in two exceptional buildings in Venice: Palazzo Grassi, acquired in 2005 and inaugurated in 2006, and Punta della Dogana, opened in 2009. These sites were renovated and rehabilitated for their new purpose by the Japanese architect Tadao Ando, a Pritzker Prize laureate. Works in the Pinault Collection are displayed in these two sites, in thematic exhibitions; artists are regularly commissioned to create new works,
often in situ. The Teatrino, also designed by Tadao and opened in 2013, welcomes a rich cultural and educational program, organized in collaboration with institutions and universities in Venice and abroad.
Works in the Collection are regularly presented in exhibitions across the world. They have been displayed in Paris, Moscow, Monaco, Seoul, Lille, Dinard, Dunkirk, Essen, and, in June 2017, in Stockholm, at the Fotografiska Museet. Solicited by public and private institutions, the Pinault Collection is proud to loan its works to international exhibitions.
The Pinault Collection is also deeply invested in supporting the work of contemporary artists, on the one hand, and on the other of historians of modern and contemporary art. In partnership with the city of Lille and the Hauts-de-France region, François Pinault founded a residency program in the former mining town. Housed in a former rectory, adapted to its new purpose by the architects of the firm NeM/Niney & Marca Architectes, it was inaugurated in December 2015. The selection of artists-in-residency is made jointly by the staff of the Collection Pinault, the DRAC and FRAC Hauts-de-France, Le Fresnoy – Studio National des Arts Contemporains, and the Louvre-Lens. After welcoming the American Melissa Budin and Aaron S. Davidson in 2016, the Belgian artist Edith Dekyndt will take over the residency through August 2017. She will be followed by the Brazilian Lucas Arruda in September 2017, then by the French-Moroccan Hicham Berrada from September 2018.
In 2014 François Pinault founded the Pierre Daix Prize, in homage to his friend, the art historian Pierre Daix. It is awarded each year to an exceptional study of modern or contemporary art. In 2018, the Prize was given to Pierre Wat for Pérégrinations. Paysages entre nature et histoire, published by Hazan.